I really need to get started writing this article, but I just came back from a field trip to the private collection of Matthew and Iris Strauss (see also here) and I feel the need to process. To back up a bit, I’m a visiting scholar at UCSD’s Center for US-Mexican Studies this year — a huge honor — and to try and take advantage of my affiliation here I am auditing a class on curatorial practice taught by MCASD director Hugh Davies. The class is phenomenal and the final project is to design an exhibition based on MCASD’s permanent collection that, if chosen, might be selected to be actually put on exhibit. Is that not the coolest thing ever?
Anyway, the class is awesome because we’re learning both theoretical and practical skills of curating — something that I’m eager to learn more about. Today’s class was a visit to the Strauss collection and it was really breathtaking. My favorite piece is definitely Fred Wilson’s Picasso/Whose Rules, though I was also impressed by the amazing array of contemporary art, much of it newer artists that I was less familiar with. One thing that my visit put into relief is that writing a dissertation will definitely give you a more narrow view (“specialized” is the polite term) of art because you’re really focusing on a few artists (and even then, a few works from their oeuvre). Plus, you tend to forget about the business side of things and the importance of private collectors. I’ll have to ruminate on this a bit more, but I am really impressed by the eye of the Strauss’s and their commitment to art and especially local audiences in San Diego. Wealthy individuals have the ability to spend their money on anything, so it is quite admirable when they spend it on art collecting with an eye toward benefiting the larger good.